Alex Tretbar

Beyond Estrangement Is What We Desire

The way things break down is often melodic, involved with time as it is, and the crews coming down from the mountain will tell you so. The metal scrying the glass, the edifice of brick bending south, possibly. It wasn't wise to spend so long up there, among the dry materials and the forgotten names of birds—birds of boredom and perdition. And when you are thirsty it is easy to lose yourself in the chambers of a single dollar, where the light switches, thousands of them, tremble. It was a long time before you saw another person, or perhaps you never did. In any case, there was nothing extraordinary about our ability to find work in the desert. There were furnace vents, too, and we spent many years whispering into them, knowing that there were others inside, transcribing the notes of our dream. We were so talkative, or at least that's what our mothers told us when we saw them in the reflections of waterfalls.

Intersection

Where the six roads meet there are six corners
And six houses on the corners. It is rumored
That there is paper in the houses, enough paper

To chronicle how the pavement came to be, the origin
Of not just those six roads but all roads, all houses,
And why it is that no one lives in the houses.

…..Empty Plat

*accessible version of “Empty Plat” may be accessed by clicking on the image of the poem

Alex Tretbar is author of the chapbooks toofarwandered (Tilted House, forthcoming 2026), According to the Plat Thereof (Ethel, 2025), and Kansas City Gothic (Broken Sleep, 2025). He works in the Center for Digital and Public Humanities at the University of Missouri–Kansas City, where he is currently studying the archive of early volumes of New Letters (1934-1951) and assisting with the Kansas City Monuments Coalition. Recent poems, fiction, and nonfiction appear in 128 Lit, Annulet, Bat City Review, Chicago Review, Cleveland Review of Books, Denver Quarterly, Full Stop, La LanchaSprung Formal, and others. Alongside UMKC students, alumni, and faculty, he teaches creative writing at Chillicothe Correctional Center, a women’s prison in Missouri.